By: Erik Rittenberry
I have tried to write Paradise Do not move Let the wind speak that is paradise. --Ezra Pound
From that brief spark in the infinite dark, the shadowy chaos of the curious beginning, quivering atoms, rivers of molten rock, “the living elements at war with lifelessness,” the cosmic soup of our becoming, from a single-cell to a self-conscious primate, rising from the primordial seas, the relentless urge to exist. And here we are. Civilized fools on the orb of our imagined realities, the divine savage within dressed in the grandiose garments of suitability to disguise the shadows of who we are. Alive on a cold dreary morning, I walk out into the misty streets, a lonesome man with his collar up and hat pulled low, I grow old, I grow old, with my trousers rolled, caught between the death of the old and the birth of the new, the streetlamps still aglow in the slow gloom of dawn, the misery of history loiters in the chill of an ancient wind that sweeps debris and dead leaves past my boots and into the eaves. The friends that I once had have become a wet rag to my destiny, my spirit sings a melody no ear is attuned to hear. Like Rilke, “I am too alone in the world, and yet not alone enough." I listen to the chimes of time and look out over the dismal city, the abandoned buildings and old taverns, the spectacle of a peculiar madness emanating from a destitute drunkard sitting there, with his tattered garb and unblessed fate, on a crate in front of an old diner. And the whores with crimson lips and smeared mascara stroll in heels “down eager avenues of lifelessness,” the fruits of their seductive labor tucked tight in their handbags. I look into the daunted eyes of beaten faces on the boulevard, a parade of sorrows and world-weary sighs, the sheer ache of being, "the bottomless horror of the world," and somehow, I too am here, an accident out of the infinite, carrying my despair over shards of glass and secondhand needles, flooding my senses with the rank absurdities of an unpoetic era. There's an unread poem tacked to a decrepit light pole in an alley, I watch as tattooed lovers stroll hand-in-hand through a graffitied park, all of us shrouded by hundred year-old high-rises silhouetted against the evanescent dark, the stench of relentless progress taints the air, the forlorn sight of a grocery cart lying on its side in a vacant lot, the sirens still lingering from the transgressions of the night. Are we all just meager marionettes at the mercy of a cruel fate, doomed to an inevitable defeat none of us can escape? If only we could train our eyes to see through the veneer of our pretend selves, the masks we don, the beliefs we cling, our predicaments, our ostensible realities; if only our ears could finally hear the subtle sounds of our essence, the sacred melody gushing from our blood, the universal stream flowing into the impalpable sea; if only… The city stirs with the cries of desolation, the sighs of a bankrupt civilization, yet everything remains holy in its impermanence, sanctified in its brevity, and I walk on through the infertile grime, an iridescent ghost, a brief spark in the infinite dark, beneath the false sky of the final paradigm.
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