Five Brief, Loaded Poems by Berkeley Street Poet Julia Vinograd

Written on 22/09/2026
Poetic Outlaws

MAN WATERING HIS LAWNA middle-aged man with a dented straw hat a pot belly and shorts waters his front lawn with an air of defiance as if he were challenging the gods, both hands clenched tight around his flailing hose. The gods hit him with the daily news, bills, his daughter's dreadful boyfriends and he fights back with heavy water like a custard pie lobbed over the gates of heaven. He doesn't give a damn about his lawn but a man's got to do something.
Frame still from Julia Vinograd: Between and Stone

MAN WATERING HIS LAWN

A middle-aged man with a dented straw hat
a pot belly and shorts
waters his front lawn with an air of defiance
as if he were challenging the gods,
both hands clenched tight around his flailing hose.
The gods hit him with the daily news, bills,
his daughter's dreadful boyfriends
and he fights back with heavy water
like a custard pie lobbed over the gates of heaven.
He doesn't give a damn about his lawn
but a man's got to do something.

WARNING

I’ve got this sawed-off illegal poem
pointed at your head
and you’d better believe I know how to use it.
I’ve got my back to the wall
and don’t care what happens
so if you get in my way, buddy,
you’re gonna get shot up full of words.
I’m not gonna warn you twice.

Photo: Brian Day

SMOG OF THE SOUL

There's a wrongness in the air, a smog of the soul.
The dictionary started coughing and coughed up blood
delicately as a heroine in lace dying of consumption.
The music is sorry for her
but there's nothing to be done.
The signs saying Dead End don't just mean streets.
The living in their ordinary clothes haunt the dead
and the dead laugh.
We stub our eyes as easily as our toes.
It hurts.
There's no band-aid for bruised smiles.

OLD MAN CROSSING THE STREET

Old man
drags his feet after a cane
slowly.
Light changes
half way across the street.
Cars screech to a halt,
lean on their horns,
yell out their windows,
give him the finger.
If anything
he slows down.
He's old.
He can barely
haul himself up the curb.
His grandchildren don't write.
But shiny new cars wait trapped
as his cane takes its time.
They hate him.
It makes him young.

Photo: Diane Arbus

CRYING CHILDREN

I never wanted children.
Growing up I couldn’t even keep goldfish alive.
Suppose a child coughed at night
and I didn’t get it to a doctor in time?
There were enough parents who knew what they were doing,
I didn’t trust myself.
But now all those children wrenched from their mothers’ arms
crying in the night.
Are these my children somehow, the ones I never had
who need me? They have real mothers they’re crying for;
I know that.
But why do my breasts ache
when I hear them cry, my old milkless breasts?
Why?

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Julia Vinograd in her apartment. Photo by John Storey

Street poet Julia Vinograd emerged from the 1960s Free Speech movement fighting state oppression with bubbles instead of bricks. She pushed through multiple disabilities to produce over seventy collections of poetry that championed marginalized voices, winning an American Book Award, a Pushcart Prize, and Berkeley’s first Poetry Lifetime Achievement Award.

For the past six and a half years, filmmaker Ken Paul Rosenthal has been working on a feature documentary about Vinograd’s life and legacy, Julia Vinograd: Between Spirit and Stone. Featuring luminous images, poignant testimonies, and archival recordings of Julia reading her poetry, this cinematic poem is on track to be completed by the end of this year. To learn more about the film, join the mailing list, and watch the trailer and four sets of preview clips, please visit the film website.

You can find Julia’s works at www.Zeitgeist-Press.com along with much of the work of the Babarian poets.